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WHAT ARE
THESE MYSTERIOUS THINGS CALLED THE ANIMA AND THE ANIMUS?
These are
Jungian terms used to describe parts of the psyche. They are etymologically
related to words like "animated" and "animous" and
"animosity".
The word
animus in Latin means soul, spirit or courage. You can see that
if we use the word "animosity" to mean "bitter hostility
or open enmity; active hatred", as according to the dictionary, then
the "courage" aspect of the animus or soul is being emphasized
and has "gone wrong". This is a key to understanding the woman's
animus, her inner male.
The word
anima is more lately derived and may be the matter of going back
and adding a feminine Latin ending to animus, to become anima.
This represents the inner female found within the psyche of a male.
Jung himself
did not expect everyone to understand his concepts of the animus
and the anima, and particularly not men, I think, but we can explore
this concept and gain much self knowledge as we endeavor to understand
it to the best of our abilities.
My favorite
Jungian writer is Marie Louise
von Franz, as most of you know (!) Somehow I like it when a brilliant,
rational woman with a PhD describes things having to do with relationships
because when the men do it, they have a set of unspoken assumptions that
can leave me feeling like I'm left out in the dark. Often they seem to
be writing just to each other, as well. This was the case for many centuries
anyway.
Von Franz
usually says it clearly. This is how Von Franz explain the animus
in a woman.
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THE
ANIMUS
"The male
personification of the unconscious in woman -- the animus -- exhibits
both good and bad aspects, as does the anima in man. But
the animus does not so often appear in the form of an erotic
fantasy or mood [like the anima]; it is more apt to take the form
of a hidden "sacred" conviction.
When such
a conviction is preached with a loud, insistent, masculine voice or imposed
on others by means of brutal emotional scenes, the underlying masculinity
in a woman is easily recognized. However, even in a woman who is outwardly
very feminine the animus can be an equally hard, inexorable power.
One may
suddenly find oneself up against something in a woman that is obstinate
and cold. [emphasis mine]
According
to von Franz, these are some of the favorite themes of the Animus.
"The
only thing in the world that I want is love,
and he does not love me."
"In
this situation there are only two possibilities
-- and both are equally bad."
She explains
that the animus never believes in exceptions. "One can rarely
contradict an animus opinion." she says, "because it
is usually right in a general way; yet it seldom seems to fit the individual
situation." She
continues, "It is apt to be an opinion that seems reasonable but
beside the point."
How is the
animus formed in a woman? How is the anima formed in a man?
They are shaped by relating to and being in the presence of the parent
of the opposite sex. The man's anima takes form through relating
with the mother. The woman's animus takes form through influence
by the father.
Von Franz
puts it this way: "The father endows his daughter's animus with
the special coloring of unarguable, incontestably 'true' convictions --
convictions that never include the personal reality of the woman herself
as she actually is."
I think these
things are worth contemplating. These convictions are buried deeply in
us and we are usually not conscious that we have these attitudes, let
alone that they are based on unexamined assumptions.
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THE
DARK ANIMUS (NEGATIVE)
If the animus
from the father is negative or dark, it may take the form of the
archetypal Dark Stranger, someone like Heathcliff in Wuthering Heights
or Beethoven's father as depicted in the film Immortal Beloved.
In this form
it lures a woman away from any real relationships and particularly those
with a man. Von Franz describes this state of consciousness as a "cocoon
of dreamy thoughts, filled with desire and judgments about how things
'ought to be', which cut a woman off from the reality of life."
These are
some of the other characteristics of a negative animus:
brutality
recklessness
empty talk
silent, obstinate, evil ideas
There is
a more destructive side to this dark animus as well. "By nursing
secret destructive attitudes," von Franz explains, "a wife can
drive her husband, and a mother her children, into illness, accident,
or even death."
I once read
for a girl who will spend the rest of her life in a wheelchair. She said
she "always knew" she would have a near fatal accident driving
over a bridge near her home (in a small town in the northwest). One of
her brothers died a tragic death as well. Now a younger sister is threatened
with drug abuse. I remember suggesting to my client that she find out
why her mother was destroying her own children. To my horror, she registered
no reaction to this statement which I had said to shock her into the reality
of this dangerous situation.
Von Franz
continues, "she may decide to keep her children from marrying --
a deeply hidden form of evil that rarely comes to the surface of the mother's
conscious mind." I think M. Scott Peck deals with in The Road
Less Traveled as well. Then she gives a memorable example: "A
naive old woman once said to me, while showing me a picture of her son,
who was drowned when he was 27, 'I prefer it this way; it's better than
giving him away to another woman.' "
This is how
the animus talks inside in the dark way. "In the depths of the
woman's being, the animus whispers: 'You are hopeless. What's
the use of trying? There is no point in doing anything. Life will never
change for the better.'"
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ANIMUS
AND ANIMA TOGETHER - A GALLERY
ANIMA
AND ANIMUS FIGURES
The characters
played by Juliette Binoche and Johnny Depp in the film Chocolat
are archetypal figures, the animus and the anima. This is
what gave the movie its enchanting aspect, its magical feel and its deep,
delightful spell casting. Let's learn more.
Here are
some carefully chosen works of art depicting the anima and animus
together. As you notice in the individuation process, the more abstract
and conceptual the anima or animus, the more individuation
and enlightenment are present. The images I've chosen reflect an elevated
perception of and relation to the anima or animus (i.e.,
no Muscle Men).

Anima
and Animus by Larysa Rybchynska

Anima and
Animus by Kazuhisa
Nagato

Anima
and Animus by Ruth
Thorne-Thomsen
THE
POSITIVE ANIMUS (LIGHT)
Jung tells
us that Sleeping Beauty is a story about a woman awakening to her
animus.
The animus
tends to produce opinions in women. The creative woman in good relationship
with her animus may be thoroughly feminine but have "invincible
character and speak with power". She may have strong beliefs in what
is right and wrong.
The animus
isn't meant to be negative. When properly developed, it can build a bridge
to the Self through creative activity.
The positive
qualities of the animus are:
initiative
courage
objectivity
spiritual wisdom
It is a difficult
task to develop a positive relationship with the animus. It can
take much time and genuine suffering as it requires conscious attention.
"But,"
explains von Franz, "if [the woman] realizes who and what her animus
is and what he does to her, and if she faces these realities instead
of allowing herself to be possessed, her animus can turn into
an invaluable inner companion."
The key to
this process is that a woman must question the sacredness of her own convictions.
Only then can she accept higher wisdom from the unconscious that contradicts
the opinions of her animus.
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THE
ANIMA - GREAT WORKING DEFINITIONS
Anima:
[according to Marie Louise von Franz] "A personification of all
feminine psychological tendencies in a man's psyche, such as vague feelings
and moods, prophetic hunches, receptiveness to the irrational, capacity
for personal love, feeling for nature, and -- last but not least --
his relation to the unconscious. It is no mere chance that in olden
times priestesses (like the Greek Sibyl) were used to fathom the divine
will and to make connection with the gods."
The Sibyl
If you will
read the description of the Sibyl in Robert Graves' masterpiece I,
Claudius, you may see how a man relates to his inner world before
the mediating light of the anima. In the macrocosm, the Sibyl played
an anima role for Roman civilization. She is the perfect compliment
to the ultra-rational Roman! I believe that Graves was going through a
dark experience with a woman at the time the wrote the book as well.
Anima:
[femme fatale according to Bill
Taggart] "... at the same time, she is the great illusionist,
the seductress, who draws [a man] into life with her, Maya -- and not
only into life's reasonable and useful aspects, but into its frightful
paradoxes and ambivalences where good and evil, success and ruin, hope
and despair, counterbalance one another. Because she is his greatest danger
she demands from a man his greatest, and if he has it in him she will
receive it. [emphasis mine]
Anima:
[according to Paul Watsky]
"Anima functioning demands that a man's ego participate
in a value-imbued relationship with his mind." [emphasis mine]
Anima:
[according to John Beebe at Watsky]
"I find it helpful to think of the anima as the emotional attitude
a man takes towards anything he reflects upon...." [emphasis
mine]
Anima:
[according to Ann Belford Ulanov on Watsky]
"Anima ... forms a bridge, across which the contents of the Self
come to address the ego.
Animus
and Anima: [from Watsky]
Jung writes of the anima and animus that: "both archetypes
... can on occasion produce tragic results. They are quite actually father
and mother of all the disastrous entanglements of fate.... They are powers
in the unconscious, in fact, gods....
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THE
MOTHER, THE FIRST ANIMA FIGURE, PROTECTS THE MAN FROM HIS INNER DARKNESS
In Jung's
own words: "Just as the father acts as a protection against the dangers
of the external world and thus serves his son as a model persona,
so the mother protects him against the dangers that threaten from the
darkness of his psyche. In the puberty rites [of wiser "primitive" societies],
therefore, the initiate receives instruction about these things of 'the
other side,' so that he is put in a position to dispense with his mother's
protection."
Lacking proper
instruction in this, Jung explains, the modern man moves this projection
from Mother to Wife.
He continues,
"Under the cloak of the ideally exclusive marriage he is really seeking
his mother's protection, and thus he plays into the hands of his wife's
possessive instincts. His fear of the dark incalculable power of the unconscious
gives his wife an illegitimate authority over him, and forges such a dangerously
close union that the marriage is permanently on the brink of explosion
from internal tension-or else, out of protest, he flies to the other extreme,
with the same results."
It would
be during a Venus retrograde transit that these internal tensions would
be most likely to become explosive. It is their urge to become conscious
during the time Venus is traveling through the Underworld.
Jung explains that the anima
comes between [a man and his wife] like a jealous mistress who tries
to alienate the man from his family.... [If] that happens, he will eventually
ask himself, "What is the anima doing here, when it alienates
a man from his own family, his wife and children?"
Jung continues, "Our first thought is that the man of honour [i.e., the
man with the great outward persona, business reputation, etc.]
is on the lookout for another woman. That might be -- it might even be
arranged by the anima as the most effective means to the desired
end. Such an arrangement should not be misconstrued as an end in itself,
for the blameless gentleman who is correctly married according to the
law can be just as correctly divorced according to the law, which does
not alter his fundamental attitude one iota. The old picture has merely
received a new frame."

Becoming whole or "one", individuated..
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THE
NEGATIVE ANIMA IN A MAN
This gospel is
according to Marie Louise von Franz: "In its individual manifestation
the character of a man's anima is as a rule shaped by his mother.
If he feels that his mother had a negative influence on him, his anima
will often express itself in irritable, depressed moods, uncertainty,
insecurity, and touchiness.... Within the soul of such a man the negative
mother -- anima figure will endlessly repeat this theme:
I
am nothing.
Nothing makes any sense.
With others it's different,
but for me . . . I enjoy nothing.
"These anima
moods cause a sort of dullness, a fear of disease, or impotence,
or of accidents. The whole of life takes on a sad and oppressive aspect.
Such dark moods can even lure a man to suicide, in which case the anima becomes a death demon."
"The
anima appears in this role in Cocteau's film Orphee,"
Von Franz continues. A familiar first cousin is the French femme
fatale and the Queen of the Night in Mozart's opera Magic
Flute (a mild version). The Greek Sirens and the German Lorelei are
negative anima figures as well. They symbolize"dangerous
illusion".
"Another
way in which the negative anima in a man's personality can be
revealed," von Franz explains, "is in waspish, poisonous, effeminate
remarks by which he devalues everything."
The Greek
Sphinx is also a negative anima figure. If you remember the story
of Oedipus, she "riddled" men to death, keeping them bound up
in destructive intellectual games and then tossing them into the sea.
.
Projecting
the anima onto a woman is an immediate and automatic thing. Von
Franz explains, "Women who are of 'fairy-like' character especially attract
such anima projections, because men can attribute almost anything
to a creature who is so fascinatingly vague, and can thus proceed to weave
fantasies around her." On the positive side, von Franz explains, "the
anima takes on the role of guide, or mediator, to the world within
and to the Self.... This is the role of Beatrice in Dante's Paradiso,
and also of the goddess Isis when she appeared in a dream to Apuleius,
the famous author of The Golden Ass, in order to initiate him
into a higher, more spiritual form of life."
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SHE
WHO MUST BE OBEYED - a version of the negative male anima
Jung's comment
on the anima: ?Most men, probably, who have any psychological
insight at all will know what Rider Haggard means by She-Who-Must-Be-Obeyed,
and will also recognize the chord that is struck when they read Benoit's
description of Antinea [see below]. Moreover they know at once
the kind of woman who most readily embodies this mysterious factor, of
which they have so vivid a premonition."
Premonition
... that's an odd word .. hmmmmm ... that means these men
must summon her. She serves some purpose in their life and when she appears,
she is expected.
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NEGATIVE
ANIMA FIGURES - THE FEMME FATALE
Atlantida
by Pierre Benoit, a classic tale of the femme fatale is told in
a movie that seemed to plagiarize Rider Haggard's novel.
Buy it HERE.
The silent film L'Atlantida was made in 1920. It tells the story
of the survival of Atlantis underneath the Sahara Desert. Atlantis is
discovered by two French Foreign Legionnaires who must contend with the
Atlantean queen Antinea (Stacia Napierkowska) who makes love to men until
she is tired of them and then turns them into gold statues. She is depicted
as irresistible.
Here's
Stacia, She Who Played
Antinea
This sounds
like the lecture I went to on Catherine the Great last weekend!
Here's an
up-to-date version, called Femme Fatale, full of erotic lure.

Below is
a femme fatale anima figure slightly more elevated. Women
with Scorpio Rising or Scorpio Moon, for example, may receive this projection.
Men who have settled comfortably into a long marriage with a motherly
type woman, where sex has fallen by the wayside, as it usually does when
the woman is too motherly, are vulnerable to the femme fatale in
mid-life.
As
we said, some women just seem to carry this projection easily. Here's
a little femme fatale in the making. This is from an Eastern
European website, so I've no idea what this photo pertains to but they
called her a femme fatale. Amazing, isn't it?


Another
version of the "dangerous" femme fatal anima figure.

Kathleen Turner played a terrific femme fatale
in Body Heat, 1981 film noir
Worth buying to study the portrayal which is near perfect. [Hint: She lures him to kill her husband.]
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TYPICAL
POSITIVE ANIMA FIGURE (LIGHT)
This anima
figure is of the watery type (versus earthy, the other yin element) and
she has that "fairy quality" von Franz speaks about. She is
distantly related to mermaids, ondines, sylphs, the Lorelei and the Sirens
in Ulysses. She can be dangerous in her ability to seduce or lure a man
to his death but in her positive aspect she is alluring, not luring, like
this young woman.

THE
ANIMA MUNDI - a highly evolved version of the Anima
This is one
of the more original renderings of the Anima Mundi or Mind/Soul
Animating Presence in and of the World. She is usually shown pregnant
like this. There are many renderings of her in alchemical texts from the
Middle Ages. She is a familiar figure.
Another earlier
version, this one painted in 1682. Now let's look at some more mundane
renderings.
This
is called Sophia, Anima Mundi's other name in her exalted
aspect.
Now
for an awesome threesome. They move from the erotic to the individualized
romantic (someone painted Frita Kahlo and called her Anima Mundi).
Then the spiritualized concept is the last.

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THE
SINGULAR ANIMA AND THE PLURAL ANIMUS ... DO YOU THINK
THIS IS TRUE?"
Jung is writing
about the singular anima and the plural animus:
With regard
to the plurality of the animus as distinguished from what we
might call the "uni-personality" of the anima, this remarkable
fact seems to me to be a correlate of the conscious attitude.
The conscious
attitude of woman is in general far more exclusively personal than that
of man. Her world is made up of fathers and mothers, brothers and sisters,
husbands and children. The rest of the world consists likewise of families,
who nod to each other but are, in the main, interested essentially in
themselves.
The man's
world is the nation, the state, business concerns, etc. His family is
simply a means to an end, one of the foundations of the state, and his
wife is not necessarily the woman for him (at any rate not as the woman
means it when she says 'my man'). "
The general
means more to him than the personal; his world consists of a multitude
of co-ordinated factors, whereas her world, outside her husband, terminates
in a sort of cosmic mist."
Hmmmmmmmmmmm
... well, things to think about here.
Jung elaborates:
"A
passionate exclusiveness therefore attaches to the man's anima,
and an indefinite variety to the woman's animus.
"Whereas
the man has, floating before him, in clear outlines, the alluring form
of a Circe or a Calypso, the animus is better expressed as
a bevy of Flying Dutchmen or unknown wanderers from over the sea, never
quite clearly grasped, protean, given to persistent and violent motion.
These personifications appear especially in dreams, though in concrete
reality they can be famous tenors, boxing champions, or great men in
far-away, unknown cities." [end of extended Jung quote]
I have often
preferred to put it this way, acknowledging that the inner and the outer
are complementary, that men are emotionally monogamous and women are sexually
monogamous.
Do you think
it could be true that men are attracted over and over again to the same
physical type (always a blonde, big breasted, long legged and straight
haired? always a tiny, flat chested, redheaded tomboy?) while women are
attracted to a variety of different types of men? Or do you think this
is exclusively an inner experience.
Russell Crowe's Ben Wade character in 3:10 to Yuma (2007) gave a good rendering of constancy and loyalty in the anima as he referred constantly to "the woman with the green eyes".

The Flying Dutchman
Marie Louise von Franz writes, "A passionate exclusiveness therefore attaches to the man's anima and an indefinite variety to the woman's animus. Whereas the man has, floating before him, in clear outlines, the alluring form of a Circe or a Calypso, the animus is better expressed as a bevy of Flying Dutchmen or unknown wanderers from over the sea, never quite clearly grasped, protean, given to persistent and violent motion. These personifications appear especially in dreams, though in concrete reality they can be "Italians" or famous tenors, boxing champions, or great men in far-away, unknown cities."
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JUNG'S
RELATIONSHIP WITH THE ANIMA
David Tresan,
a member of the San Francisco Jungian Institute, addresses the anima
in his 1992 article The Anima of the Analyst-Its Development.
Quoted from an article by
Paul Watsky which also discusses the anima: According to
Tresan, in 1944, "as the result of a near-fatal heart attack and
the ensuing 'three weeks of nightly visions,' Jung's llusion of personal
power came to an end.
"For
the first time he underwent 'total submission to his seemingly immanent
death ...' and a 'direct and immediate experience of beauty unmediated
by his intellect.' As a result, Jung came to perceive the anima
differently, as 'purely and irremediably irrational, the archetype of
life,... direct, awesome, and immutable....' "
What is true
for Jung is true for other men as well.
THE
AXIOM OF MARIA
According
to Darryl Sharp's Lexicon,
the Axiom of Maria is a precept in alchemy: "One becomes two,
two becomes three, and out of the third comes the one as the fourth.
"Jung
used the Axiom of Maria as a metaphor for the whole process of
individuation," he explains. "One is the original state of unconscious
wholeness; two signifies the conflict between opposites; three points
to a potential resolution; the third is the transcendent function; and
the one as the fourth is a transformed state of consciousness, relatively
whole and at peace."
FOURFOLD
ANIMA IN INDIVIDUATION
A man's relationship
to his anima is important because "she" mediates between
the conscious and unconscious.
At the four
levels of individuation, this might be the style of relating. [For the
women reading this, you can figure out what part you play for a man in
his pursuit of Soul in your presence -- which of these descriptions fits
you best as the potential recipient of his projections.]
This is quoted
from Jung by Watsky.
1. In the
earliest stage of projection, the anima is conceived as the purely
biological woman, the mother, something to be fertilized [perhaps personified
by Eve]
2. In the
second stage, sexual Eros still predominates but there is an aesthetic
and romantic level "where woman has already acquired some value as an
individual"; [the archetypal Helen of Troy ? ... think of the great scene
in Goethe's Faust]
3. In the
next stage Eros is raised to the heights of religious devotion and thus
she spiritualizes him in a type of spiritual motherhood; [perhaps personified
by the Virgin Mary]
4. Sapientia
... wisdom -- the Holy Grail! [also Sophia ... here a man's anima
functions as a guide to the inner life, mediating to consciousness
the contents of the unconscious.
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FOURFOLD
ANIMUS IN INDIVIDUATION
Jung described
four stages of animus development in a woman.
1. [The animus]
first appears in dreams and fantasy as the embodiment of physical power,
an athlete, muscle man or thug.
2. In the
second stage, the animus provides a woman with initiative and
the capacity for planned action. He is behind a woman's desire for independence
and a career of her own.
3. In the
next stage, the animus is the "word," often personified in dreams
as a professor or clergyman.
4. In the
fourth stage, the animus is the incarnation of spiritual meaning.
On this highest level, like the anima as Sophia, the animus
mediates between a woman's conscious mind and the unconscious. In
mythology this aspect of the animus appears as Hermes, messenger
of the gods; in dreams he is a helpful guide.
HIS:
To assimilate the effects of the anima, a man must discover his
true feelings.
HERS:
To become familiar with the nature of the animus, a woman must
constantly question her ideas and opinions.
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How
do you stack up here? How's your individuation process coming along?
This is taken
from an article by Verena Kast, a Swiss Jungian analyst. Many have tried
to describe the individuation process so critical in an understanding
and pursuit of Jungian psychology but this is a particularly succinct
definition I find very workable.
Individuation
has four aspects:
1. becoming
first increasingly independent from parents and -- more important -- from
parental complexes;
2. second,
becoming more competent in relationships;
3. third,becoming
more of who and what you are;
4. and fourth,
becoming more 'whole' -- which I call the spiritual dimension.
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THE
ROLE OF SUFFERING IN DIFFERENTIATION
It seems
that it takes great suffering or the loss of something a man cherishes
to defeat the last vestiges of the ego and reveal to him the mysterious
love, beauty and wisdom of the anima.
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IMAGES
OF THE POSITIVE ANIMUS
Here's
a wonderful and surprising painting. It's by Ian
Pearson. The artist says it is intended as an image of female internal
harmony. He describes the woman at balance with the two parts of her male
side, represented by the panther and the rose. [also very like the Strength
card in the Tarot]

Because
it represents mind and spirit, Spirit, the Animus is often expressed
in an abstract manner. As many young girls know, our sexuality can be
quite involved with the horse and the rider. Many young girls learn to
masturbate while horseback riding.
One
of my clients said, "My Animus has often appeared as a horse
spirit. Also a light spiral. A Hermetic figure. Sometimes the Dark Rapist.
It never stays around long. It is restless and it is taking me somewhere.
I follow." This painting is entitled, Animus.


Animus
by Chris Lawrence
Who's
talking here -- in this picture below?

The
animus can appear as an old man, a professor or a spiritual teacher
later in life and further along in the individuation process. This is
a self portrait of Leonard Da Vinci. It has the vague and light subtlety
of the positive animus. Much wisdom can come from relating to the
animus in a positive way.

Other
Resources
Variations
of the l'Animus (flash animation)
Variations
of L'Animus in statis dimension - this seems to be based on
Albrecht Dürer's Self Portrait and is really marvelous [Dürer
was identifying with Christ]
this page was last touched 9.11.2007

Nancy
R. Fenn
Back
to the Index
All
graphics on this page are from clipart.com
What Nancy's readers have said:
8.11.2007 great article, I have read through it a few times, and found it a
great help as the author managed to keep it simple, although their is nothing
simple about the individuation process! As for me I have lots of dreams with all
differing men in them and I often can not distinguish what they mean to me. I
can now see which of these men are positive and negative animus.
Can anyone tell me how long the individuation process takes? i feel like it has
been going on forever, and as the author states in the article a constant self
questioning has taken over me and this can become over whelming. Thanks for
shedding some light on a complex subject.
Note from Nancy: The individuation process is lifelong.
6.06.2007 This is sort of odd and serendipitous... I have been more or less spending the weekend reading through your generous collections of articles. But, it is right now in the five minutes before I'm about to head off to bed that I read something that suddenly illuminates many of the most deeply confusing questions that I carry within myself. The following paragraph explained to me quite a few of my more puzzling issues in love:
"Projecting the anima onto a woman is an immediate and automatic thing." Von Franz explains, "Women who are of "fairy-like" character especially attract such anima projections, because men can attribute almost anything to a creature who is so fascinatingly vague, and can thus proceed to weave fantasies around her."
So, I wanted to send you a most heartfelt thank you.
12.18.2005 Truly fascinating and full of rich mental contours for illumination and further
pondering. I intend to read it again with my lover just to see where our discussion regarding what you have written takes us. It may be interesting to note what follows. ~Angela
11.28.2005
11.1.2005 I love what you have written. I cannot comment on it fully because I have not internalized it yet....but I find it full and rich. Thanks
-- SC
9.29.2005 When animus meets anima was very interesting. My counselor talked to me about that today.
9.21.2005 I loved what you have written.
It was refreshing to get such a powerful statement of the role of the animus and anima from such a wise woman. I have recently entered the fourth stage of relationship with my anima in order to heal my wounds of finally being diagnosed with Asperger's at 38. I have found my anima to be a strong, competent, and faithful guide into the inner me. ~IrishMic
1-.05.2005 Thank you Nancy for this illuminating site! I have not read all of
the material here today, but I will certainly return. Very fascinated
with the Aminus entity and as a writer hope to incorporate this into
some of my prose. ~ Jade
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